Publications
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Voiceprint – Journal of OHAA NSWA bi-annual newsletter, free to members, includes helpful articles about the practice of oral history, current projects, advice about new technology, and activities of the NSW Branch. Contributions are always welcome. Use Word format, Windows XP or earlier (no Vista Files please). Photos particularly welcome and need to be jpg format. Closing Dates for Copy:April Edition: in by first week of February Email to Joyce Cribb, Editor Voiceprint: jcribb@iinet.net.au |
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Oral History Association of Australia JournalPublished annually. The Journal’s contents reflects the diversity and vitality of oral history practice in Australia, and includes contributions from overseas. The Editor of the Journal welcomes offers of material for possible publication in future issues. Note: Contributors are NOT required to be members of OHAA. Call for papers for 2010 - closing date 1 April 2010
Click here Contributions are invited from Australia and overseas for publication in the OHAA journal No.32 2010 Islands of Memory (Revisited) Enquries: Dr. Terry Whitebeach, General Editor, OHAA jOURNAL 2010 Back Issues of OHAA Journal All copies $15 eachNo.22 2000 A Century of Tales No.23 2001 Voices of a Twentieth Century Nation No.24 2002 Voices of a Twentieth Century Nation (2) No.25 2003 From all Quarters No.26 2004 More from all Quarters No.27 2005 Talking families, talking communities (out of print) No.28 2006 Oral History and its Challenge(r)s No.29 2007 Old Stories, New Ways No.30 2008 Old Stories, New Ways (2) No.31 2009 Islands of Memory Ordering OHAA Publications in NSW & ACTClick here to Order |
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Oral History Handbook 5th edition by Beth RobertsonPrice: $28* ( includes postage and handling) Click here for ordering in NSW & ACT The Oral History Handbook has been published by the South Australian Branch of the Oral History Association since 1983. It is well established as the national standard. The author draws on 25 years experience of practising and teaching oral history techniques and preserving sound recordings.
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Talking Together – a Guide to Community Oral History Projects by Lesley Jenkins OHAA Q’lnd. $14.50Lesley comments: Projects can start in different ways. They can result from recommendations made in reports by others, or they can be initiated by council members or community workers. Sometimes an idea can jump around a group for a while until it formalises and everybody forgets who first thought it up. No matter how the idea was conceived, the next step is to act on it. This is an easy to access practical guide for those involved in building community oral history projects. |
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Capturing the Past: an oral history workshopWritten and presented by Stuart Reid, a highly experienced oral history interviewer and trainer. Produced by the OHAA Western Australia Branch & Western Australian History Foundation. Duration 20 minutes. This DVD is a lively introduction to the art of using oral history and will help you prepare and develop interviews, ask questions and use the interviews you record. It is the perfect introduction into oral history interviewing for high school students and the beginner oral historian at any age. DVD and booklet $15 includes postage and handling) |
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The Oral History Reader 2nd edition Edited by Robert Perks & Alistair Thomson 2006Published by Routledge, London and New YorkISBN 13:9-78-0-415-34302-2 (hb) ISBN 13:9-78-0-415-34303-9 (pb) Fully updated to include the most recent discussions on key issues, this second edition of The Oral History Reader is a comprehensive, international anthology of major, ‘classic’ articles and cutting-edge pieces on the theory, method and use of oral history. The collection covers influential debates in its development over the past sixty years and is arranged in five thematic sections:
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Oral History and Public Memories Edited by Paula Hamilton & Linda Shopes 2008Published by Temple University PressISBN1592131417 (pb) ISBN1592131409 (hb) Oral History and Public Memories is the first book to explore the relationship between the well-established practice of oral history and the burgeoning field of memory studies. In the past, oral historians have generally privileged the individual narrator, frequently fetishizing the interview process without fully understanding that interviews are only one form of memory-making. Historians engaged in memory studies, on the other hand, have asked broader questions—about the social and cultural processes at work in remembrance, for example. What distinguishes these essays from much work in oral history is their focus fot on the experiences of individual narrators, but on the broader cultural meanings of oral history narratives. What distinguishes them from other work in memory studies is their grounding in real events. Taken together, these contributions explain the processes by which oral histories move beyond interviews with individual people to become articulated memories shared by others. |
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